Romantic Venice?

Tuesday to Thursday, 9 to 11 October, 2018

We’ve been to Venice before many years ago. At that time we weren’t very experienced travellers. I remember arriving and immediately seeing the Grand Canal and taking the vaporetto (a motorised ferry barge-like vehicle, one of the only ways to get around Venice) to our hotel. That hotel wasn’t so easy to find and the room was very old fashioned but it had a canal right under the window and, by peering out carefully, we could see the Rialto Fish Market. Venice was packed with tourists when we were there then. I’m fond of telling people that I felt I was in Epcot (not that I’ve ever been) instead of the real Venice.

So when we decided to go back – Krish really regretted not buying a mask the first time so – we thought we’d go in October when it was quieter.

Our train took three and a half hours to get to Venice.

We went through pretty Verona on our way to Venice
We went through pretty Verona on our way to Venice
A great reminder that Venice is coastal as you arrive
A great reminder that Venice is coastal as you arrive

The station had had an overhaul but it was obvious right away that there were tons of people in town. As we left the station, thankful we didn’t have to take the vaporetto this time, we walked straight into the crowd. The place was teeming and we were already wondering if we should have come at all.

Leaving the station, with the Grand Canal straight ahead
Leaving the station, with the Grand Canal straight ahead
Heading away from the station, watching the crowds grow
Heading away from the station, watching the crowds grow
Full force
Full force

We got off the crowded main street from the station towards the Rialto Bridge and St Mark’s Square as soon as we could. Immediately, you can feel the change. The streets are rough, the houses are simple, the bridges aren’t so grand and the canals are much narrower. This was more like it.

We were staying over in the Jewish ghetto and we knew from last time it would be quieter. Our directions weren’t very clear but Krish is a great navigator so pretty soon we found the place.

The bridge near our street
The bridge near our street
The New Ghetto Gate - our street
The New Ghetto Gate – our street
Walking down our street towards our flat
Walking down our street towards our flat

Our Airbnb was called Romantic Cannaregio. So was it? No way but there we were! (My review is included at the end, if you’d like to read it. Rewriting it here might actually depress me.

Romantic? This is not what I mean by hole in the wall!
Romantic? This is not what I mean by hole in the wall!

We ended up not being great fans of Venice. I think it’s somewhere everyone should see. It’s quite remarkable in many ways. However, it’s overrun by tourists, it’s very expensive and it just doesn’t seem like a real place, as noted. We were very lucky to be staying close to where real people lived and having the energy to walk around and explore. It’s a pedestrian and waterway city, with all of its inhabitants getting around in their various motorboats, as comfortable on the water as they are on land. Be prepared to walk your feet off even if you can afford the daily fare pass of 20 Euros a day!

However, about ten paces from our front door, this WAS romantic
However, about ten paces from our front door, this WAS romantic – throughout Venice are these gateways that are open to the water, for boats to be boarded and climbed out from

Despite many misgivings, I took over 400 photos of the place. It’s definitely picturesque and I knew that from the last time. I’m going to divide my thoughts into various chapters and share some photos that show Venice as I saw it.

So here are my chapters:

Venice – the streets and the people
Venice – canals and bridges 
Venice – doors and windows 
Venice – Food and shopping 
Venice – the Ghetto 

My review for Romantic Cannaregio:
I was disappointed with my stay here. First off, we got no real directions or instructions. Based on the descriptions, I was led to believe that someone would meet me or be in touch once we arrived. Instead we had to navigate our way to the flat (which isn’t easy to find when you aren’t used to the Venice geography) and there were no real instructions on how to use anything. In retrospect the photos do show the place as it is. However, I think some very good lighting was used to show it looking brighter and more relaxed than it was. In fact, it was dark and airless, with a hard white tiled floor that makes it look clinical. There’s a large piece of a wall missing in the living room, the couch is extremely hard and slippery so impossible to relax on. The fridge dripped water constantly onto anything we put in there. The bathroom light wasn’t working and was so small, it was difficult to turn around. We had to really explore to find any soap etc. As well, whenever we showered, the bathroom floor got a small flood. I had hoped there really would be romance since we went to Venice for a special anniversary but it’s tough to do when you can’t even sit together in your own space without sliding off the couch. This is one of the only places I’ve stayed in that had no tourist information, such as a map, or an idea on where to shop or eat locally, etc. Finally, a real killer of romance – printed pages stuck on the walls with a little bit of info/The Rules. I felt like I was staying in a hostel or prison. The only saving grace was a comfortable bed and the location – within the ghetto area, which is interesting, charming and somewhat away from the constant sound of luggage being pulled around, and the staggering throng of tourists in the centre of the city.

Venice – the Ghetto

Tuesday to Thursday, 9 to 11 October, 2018

We were staying in the New Ghetto. There’s the new ghetto and the old ghetto. The story gets a bit confusing. At any rate, the Ghetto of Venice is the oldest in the world.

In medieval times this part of the Cannaregio had a getto (foundry) pronounced jetto in Italian. Eventually the German Jews’ pronunciation took over, with the hard G it has today. From the 16th to 19th centuries it became the Jewish quarter. By a 1516 decree, all Jews were locked into the gated island of the Ghetto Nuovo (New Foundry) from sunset to sunrise. At night only doctors were allowed to leave, since they were known to be very good at their art. During the Spanish Inquisition in 1541, there was no place to put everyone and so people moved into the upper storeys. The conditions were awful.

Numbers kept growing and the Ghetto was extended into the neighbouring Ghetto Vecchio (Old Foundry). This creates the confusion where the older Jewish area is called the New Ghetto and the new is the Old Ghetto. At any rate, we were in the New Ghetto, on a street called Ghetto Novissimo.

When Venice fell to Napoleon in 1797 Jews were free to roam and the ghetto was briefly renamed the Contrada dell’unione. It didn’t last long – just six moths. In 1866 Venice joined Italy and Jews were emancipated. Then when the Nazis occupied Venice, many escaped but 246 were arrested and sent to concentration camps. Only eight of these survived.

In 1797 the French army of Italy, commanded by the 28-year-old General Napoleon Bonaparte, conquered Venice, dissolved the Venetian republic, and ended the ghetto’s separation from the city. In the 19th century, the ghetto was renamed the Contrada dell’unione.

Today, the Ghetto is still the main Jewish cultural area of Venice, although only a few of the some 450 Jews of Venice live here. There’s a museum, synagogues, and shops that sell food and Judaic items. The wooden gate surrounds are still there as reminders of the days when Jews were prisoners of the island.

Bridge linking the old and new ghettos - showing the gate remains
Bridge linking the old and new ghettos – showing the gate remains
From inside the gate
From inside the gate
The way out from the ghetto, with the gate remains
The way out from the ghetto, with the gate remains
The campo (square) of the Old Ghetto
The campo (square) of the Old Ghetto
In the square
In the square

Always sad to see the degree of protection on any Jewish site in Europe
Always sad to see the degree of protection on any Jewish site in Europe
Memorial on the wall
Memorial on the wall
Business as usual
Business as usual

Synagogue door
Synagogue door

On our street in the New Ghetto, on many of the door frames were indentations. They gave me pause.

They were unmistakably where mezuzahs (a parchment inscribed with religious texts and attached in a case to the doorpost of a Jewish house as a sign of faith) had once been. Had the tenants left and taken theirs with them? Had the tenants been turfed out? Had the mezuzahs been taken out to hide the inhabitants’ faith? Had they been removed by bigots? I don’t know but the indentations are there to remind us who first lived there.They had been there since the houses were built, imbedded as they had been in the frame.

An interesting article in the Guardian

My Venice Chapters

Venice – the streets and the people

Venice – canals and bridges 

Venice – doors and windows 

Venice – Food and shopping 

Back to Romantic Venice? 

The MAO and Giovanna

Tuesday, 2 October, 2018

The temperature dipped and on went the warmer clothes. Calendar Fall is already here and now Real Fall is settling in wherever it can. The light is different and the air is clearer. How long till I can really see the Alps?

The sunrises are golden
The sunrises are golden
The architecture is golden too
The architecture is golden too

The free museum days in Torino are perfect for me. I don’t like to spend too much time looking around and in London this means I can pop in for a short time, leave when tired, and come back again when I have an inclination. Torino has designated days each month for free visits. First Tuesdays, first Saturdays, first Sundays…with a few others thrown in for good measure. On the first Tuesday of October, I went to the MAO – Museo d’Arte Orientale (Museum of Oriental Art). It’s on Via San Domenica in the Quadrilatero so an easy walk.

Narrow street of the Quadrilatero
Narrow street of the Quadrilatero
One side of the MAO's beautiful gate, which leads to a corridor - like a zen garden
One side of the MAO’s beautiful gate, which leads to a corridor – like a zen garden
The architect's date stamp, a stepping stone to another time
The architect’s date stamp, a stepping stone to another time

The exhibit on the main floor was of photographs of the Nomads of Asia. This didn’t sound all that interesting but I was wrong. I was so struck by these peoples who wander the plains of Asia – China, Asia, India, the middle East – living a life unchanged for hundreds of years. Some of the colours and clothing and customs were stunning. It seemed almost impossible to imagine that they were living in the same century that I was, or on the same planet at times.

These women in Russia had the most beautiful dresses. They stood beside a tent made of dozens of animal skins
These women in Russia had the most beautiful dresses. They stood beside a tent made of dozens of animal skins

Of course, I am struck by the images of women, doing the tasks that have never changed. The only clue that these are modern women are in the photos showing plastic bags and other paraphenalia around the walls of their tents. In three different regions of this massive continent, there are so many similarities.

And, most strikingly, this woman weaving, while tending to her child. No doubt there is food simmering somewhere that she will pay attention to. This multitasking changes from culture to culture yet is always the same in nature. The job of nurturing.

I’m always struck by the Gujarati of India. Gujarati people are descended from Aryan nomads who lived in the  valleys of the Indus River in 2000 BC and settled in Gujarat. They now make make up about one third of the diaspora worldwide.

The Aryan colouring of the Gujarati of India
The Aryan colouring of the Gujarati of India

As is often the case, the museum was more interesting than expected. I loved the photo exhibition. I liked the exhibit spaces less and I felt a little stifled.

Continue reading “The MAO and Giovanna”

Market to Table – Cooking in Turin

Friday, 5 October, 2018

Third time trying and this year I finally managed to get a cooking lesson in Torino. My source was Bonappetour. I’ll definitely check this again for the future!

The course I chose was Market to Table with Rosemarie. The plan – meet for breakfast, go to the market, cook, eat! This reminded me of Lucy’s classes in Lyon so it was familiar. Always a little cautious, I set off on Friday morning just about 8am. I couldn’t find a single way to avoid the dreaded metro but ‘go’ it was.

Three Torets at Bernini
Three Torets at Bernini
The metro at Bernini
The metro at Bernini 

I’d done a little reading and, coincidentally, had stumbled over comments about Rosemarie and her cooking classes in other Torino blogs. That’s also how I discovered her blog! So when she walked into the little caffeteria, I knew her instantly. Accidental stalking pays off! We each had a pastry with pear and ginger and I had a ‘cappuccia’ – thanks to Rosemarie for teaching me that word.

The local market, Brunelleschi, is very small compared to Porta Palazzo and the markets Giovanni introduced me to but it’s got everything you’d need and it’s calmer and less rude. Rosemarie bought beans, pears, a cheese with peppercorns, some ricotta, five salted anchovies from Spain. It’s good to listen and pick up the market terms, hearing things that might be useful for me later. I was impressed by how the stall holders could make suggestions when Rosemarie told them what she was cooking. From here we moved on to a butcher where again they listened to the menu and knew what meat to cut up for stewing. And a generous stalk of sage, inside a twist of paper.

At the bakery, Rosemarie chose grissini and six crusty buns warm from the oven. At the wine store, they listened carefully to what we were going to eat and suggested the wine. As we left, Rosemarie told me they wanted me to have a biscuit – yum! I chose fig and nut.

At the enoteca. Fervent discussion about the choice of wine
At the enoteca. Fervent discussion about the choice of wine

Rosemarie lives on the third floor of a slightly older apartment building. We get there in a tiny lift whose doors are opened manually. I survive that risk too! The flat is large and homey. The whole thing is homey.

Rosemarie had invited another person over to help her with prep and cleaning. I’m surprised that it’s another Torino blogger that have I been reading, Sonia. (Did I find them through each other’s sites?) It feels a little odd knowing that I have had a glimpse of their Torino lives, while I’m a stranger. But it does feel like I’m among friends. That’s a good feeling.

It’s also a good feeling to have a helper while you’re cooking. Sonia set things out, cleaned up behind us, and was an expert hand with kneading the pasta dough. I learned a lot and I got to prep and help with the cooking. I’m pretty sure I could manage to cook all of these things with a little patience – not my strongest suit, going slowly.

The menu, as promised in email — Appetiser: acciughe al verde (Anchovies in green sauce) Starter: agnolotti al plin con burro e salvia (pinched agnolotti in butter and sage) Main: Fricandò di manzo (Piedmontese beef fricandò) Dessert: Pere cotte al vino (Pears poached in wine).

Rosemarie's kitchen
Rosemarie’s kitchen

My pictorial essay follows!
Continue reading “Market to Table – Cooking in Turin”

Gobino and Consorzio

Thursday, 4 October, 2018 25C

Liat’s brother and dad were coming to Torino and, if they wanted, we could combine numbers and go to the Gobino Chocolate Factory in Vanchiglietta. I’ve been trying to get a tour there for ages and this was a great opportunity. The decision dragged on a bit but finally it was all sorted.

I happen on Via Caglieri pretty often while walking but, wouldn’t you know it, on the day I needed to be there I felt totally lost. But we made it…and perhaps ten minutes before Liat and her family got there.

Our tour guide was a young woman whose English was very strong. We suited up in an ante room and off we went to check out the factory. This is smaller than Caffarel for sure but still commercial and noisy. The noise was a good touch – lending a bit of oompa loompa style to the whole thing. We saw the sacks of cocoa beans, and of sugar, and had a chance to see the cocoa nibs, the cocoa butter and the cocoa mass. That mass smells amazing – gives me a feeling of wanting to roll around in it! I wondered how long before it becomes overwhelming. (In fact, by the end of the tour I needed air!)

There are quite a few processes for the chocolate to go through before it finally reaches the wrapping stage. It was here we got a taste of the chocolate from the production line. It tastes better than Caffarel.

No photos allowed! So I took some of the showroom and then of the plate of samples they had for us to taste when we’d taken off the gear.

Gobino is an artisan chocolate factory that makes giandujotti, whole hazelnut chocolate, dark chocolate disks and cremini (layered chocolate) and a few related things.  It’s not got the long history of Caffarel but it’s now our preferred chocolate.

Amaretti
Amaretti
Tasting
Tasting table
Plate of chocolate to taste
Plate of chocolate to taste
Yan reaching for the gianduiotti
Yan reaching for the gianduiotti
On the way to Consorzio
On the way to Consorzio

Krish promised that this year we’d go to a restaurant each week. We’re not doing so well! So I booked an evening at Consorzio, a restaurant with a strong Torinese reputation. And it’s close. Straight down Via Milano, which runs parallel to the market and just a few streets down. Continue reading “Gobino and Consorzio”