Time Warps in London – A Singularity

Sunday, 16 January, 2022

I suppose this happens in lots of urban areas, but walking in London can feel like you have a portable time machine or a holodeck. The mass of new and even futuristic, or otherworldly, buildings have replaced old London, but only in patches. Peeking out here and there and taking over in other patches buildings from older times stubbornly remain. I recently saw a photo called Layers of London and I understood that concept. I’ve also become aware of the layers that are underneath the layers we now live in, so while buildings are now reaching towards the sky, I also think of how below me it must reach.  It all seems to live in harmony. On this Sunday I was very conscious of the harmonious contrast, then on the following day it came home to me once more. But I won’t jump ahead yet.

Krish had seen a structure from the bus that seemed worth a visit. At first we thought it was permanent, but then discovered it wouldn’t be staying so we set out to take a closer look. What he’d seen was an orb which cycles through an LED coloured sequence, called Singularity by Squidsoup – the name alone was intriguing enough. It sits in the front courtyard of a new complex called Principal Place in between Shoreditch High Street Station and Liverpool Street Station.

Map of Worship Street walk
We started at the bottom of the map – and worked our way up to the top, small turns with big results

It was a clear, cold evening and the night before the wolf moon – the full moon of January. It already looked quite full and very bright. Here in London’s financial district, a wolf moon seemed appropriate.

Principal Tower is tall for London, at 50 storeys. It’s residential, not commercial, and was completed in 2019. Principal Place office block is lower, with only 15 storeys.  Both buildings were designed by the architects Foster and Partners. We’ve been hearing a lot about Richard Rogers lately so Foster’s name is top of mind. So there’s more Star Trek going on here – Singularity. ‘8m geodesic sphere with volumetric real time LED lighting’ – so there you go. My camera didn’t do it justice, so there’s a website here where you can see what it looks like. The video there shows the depth and detail of the lovely piece. It’s hard to capture a 3D object in a 2D format. and my own photos and videos are shallow by comparison so do take a look.

We wanted to drag a chair over but the security guard said no, so we sat in one of the large wooden chairs they’re kind enough to have over to the side of the building.  The sphere, the almost-wolf moon, the clarity everywhere, and the fact we were mostly alone there made everything feel calm and reassuring. Cities have their own beauty.


The photo that didn’t work (I’m sure I took it but #fail) is the one that showed the moon framed within Singularity – that one would have been lovely, so you’ll have to imagine the contrast and harmony of that one.

In the same courtyard is another art installation of a person – like a sketch or outline for a drawing. James Burke did this giant blue steel work, which weighs 1.2 tonnes. It’s called In Anticipation since the character is stepping forward from its plinth (all difficult to see in that dark night so worth a daytime look – ‘the waiting figure appears to have descended from its plinth and is perched against it. Leaning forward expectantly with its head looking back towards the high street.


This wouldn’t be the end of the art, unsurprisingly in London and this area in particular, but there were hidden gems ahead. Once more we stepped away from the familiar and found ourselves in new territory with that mixed feeling that is surprise and ‘well, of course’ that comes with discovering streets we’ve somehow never walked down. The density is overwhelming. So I looked up the meaning of Singularity. It’s bandied about often on Star Trek but I’ve not thought much about what it meant – ‘a point at which a function takes an infinite value, especially in space–time when matter is infinitely dense, such as at the centre of a black hole.’

We thought at first we’d walk down just one street to see what was there and I was distracted by the thought that I’d never actually gone into the courtyard of Broadgate Tower. It was right in front of me now so up the stairs we went to look a bit more closely. I’ve always loved the geometric structure. It has very tall (functional) steel girders that reach diagonally – a very interesting design which was created to ‘reflect shadows and produce light that would change throughout the day.’) At night it’s dramatic.



And the old refrain of I must come back when it’s daytime. Both buildings have green credentials and I hear there’s an area for bees, birds, insects and butterflies on one tower roof, and a peregrine falcon bird box on the other. I wonder if they are open to the public.

We thought we would walk down the street towards Moorgate. We were on Worship Street. In the 1700s this was all fields apparently and was called Hog Lane. Today it’s a commercial area with warehouses, clubs and offices but also a very cool strip of listed Victorian workshops, artisan these days. Having just come from two monumentally modern and stylish steel and glass blocks, it was definitely a time warp. There was a film crew about so the buildings were obscured.  Are you tired yet of me saying I must come back? We passed lots of clubs on the ground floor of converted warehouses and there was enough of a trickle of people heading towards them to keep them open.



We were still heading towards Moorgate, but to our right we saw a forked road and suddenly the thought of seeing something we hadn’t seen before was more appealing. We decided to take the left one, Clifton Street, with more warehouses.

A fork in the road
A fork in the road – which way to go?
Shine Your Light mural
‘Shine Your Light’ mural outside Zetland House by Luke Smile. Aptly named. His artwork always gives positive messages
Zetland House was once a printing house for the Bank of England. The wall is painted by David Shillinglaw

As we passed the wall mural we thought we’d hit a dead end, but straight ahead of us was a gate. It felt a little dangerous to go through but we’d done well so far and went ahead. It wasn’t so scary once we were in there. In fact, there was a bit of a garden beside us, with another wall mural by Noir. What did seem a bit spooky was a large, gothic-looking church in a yard right ahead of us. We were both a bit surprised by it – a church that we’d never known was there before.



We walked beside Mark Street Gardens, apparently one of the youngest parks in London, created in the early 1980s. And once through, we found ourselves on Leonard Street. So many restaurants here and there, mostly closed, with an occasional pair of partyers wandering by. This was an area that we should know better but actually don’t.



When we hit Great Eastern Street, I thought about going down New Inn Yard again to get the bus home on Shoreditch High Street but instead we chose a small road ahead of us. I was totally surprised to find myself beside Blacklock on Rivington Street, which is really close to Old Street. This was accidentally a better choice and a good reminder that the density of London means my mind can place something much further away than it actually is. It was just one bus home from Old Street, a perfect accidental discovery.






And homeward it was!

Regaining my feet in 2022 – Rooftops and Lloyds on Fenchurch Street

Thursday, 6 January, 2022 – Twelfth Night

Writing things down is happening in my head again on an intangible surface, rarely making it into anyone else’s head. Sometimes there’s a narrative of what I’m seeing and how I feel about it, but it stays in there. It’s not that that isn’t valuable and even contributes to my sense of self and, therefore, my outward self. But inside it stays for the time being. If I post photos, most of those thoughts and feelings are just for the time I’m sharing them and just with myself. In December, two people close to me died. I suppose that such words come to me more often at times like this, when I ponder the fragility of life and all the questions that are unasked and unanswered.

So it was a bittersweet Christmas time and a bit hard to pull myself out of that heavy mood and get out there. By twelfth night I’d put away almost every Christmas item – a bit ahead of my usual schedule. The Museum of the Home had closed over Christmas for longer than expected and there would be no twelfth night burning of the holly and ivy, something I’d loved in the past. This year many public buildings and restaurants opted for a long break while Omicron kept people at home and staff numbers dwindled due to illness. It was a cold and grey day but it wasn’t raining and we decided to go out.

We took a bus to Fenchurch Street. The original plan was to go to Bow Lane and I confess to being motivated by an advertised cake at Konditor. From there we could walk over to 120 Fenchurch Street where they have a rooftop viewing garden. It didn’t go according to plan but it went well, anyway.

We got off the bus and decided that, since it was still light, we’d go to 120 first. I’d been there before without Krish but he’d never been so we wandered along the strangely quiet street. There was quite a queue to get into Skygarden, though, and I was glad that wasn’t our choice for the day.

The Garden at 120 isn’t very far from Skygarden. It’s also not as high, at 15 floors, but I’d liked it when I went. It’s the City of London’s largest roof top public space, is fully open air, quiet and the view is more intimate when you’re closer to everything. We were the only people heading for it. Even going through Security was quiet and fun. The person scanning our bags had a good chat with Krish comparing beard experiences. It felt friendly and personal.


I’ve not been in the warmer months but I’ve read it has  wisteria trees, fruit trees and a 200ft-long water feature. None were apparent on this cold January day.


You can walk around the perimeter – the full 360 degrees of view. There are many seats to relax on and just enjoy the air and the surrounding buildings. There’s no space to stick a camera through for clear photos so all of them are taken through the thick safety glass. I’ve decided not to caption them. There are some iconic landmarks, but I’m not sure it matters. You can ask me in the comments if you need to know more. You may notice, however — St Paul’s, Hays Galleria, the Tower of London, and the Shard.










And up here you’re close to the cranes and construction. It fills the entire South side.



While we were there, two other people came up – only two. Note to ourselves to come back when it’s warm, to see the flowers and plants in bloom and the water feature flowing. I have a feeling it might still be quiet and peaceful.

We left the building and started to walk westward, through Star Alley, when we found this church – St Olave’s, which I’d heard of.


St Olave Hart Street is one of the few mediaeval churches to survive the Great Fire of London. Samuel Pepys and his wife are buried there.
Charles Dickens who lived close by, called St Olave’s ‘St Ghastly Grim’, referring to the gargoyles on the churchyard gate – if they’re still there, I didn’t notice them. St Olave’s has been a place of Christian worship and sanctuary for almost 1000 years, the first church dating from 1050, a simple timber structure. It was rebuilt in stone in the 13th century, and rebuilt again in 1450. The crypt dates from this period.
357 victims of the 1665 Plague were buried in the churchyard. Their names were marked with a ‘p’ in the church register. The church was heavily damaged during the Blitz of 1941, leaving just the arches and the tower and was restored in 1954. After looking around outside this surprisingly small building, we realised there was a lot to see if we stayed right where we were.

Along London Street we found Fenchurch Street Station, which had looked very small and interesting through the modern building maze below. I wanted to go inside as I’d never been. Immediately inside the station you’re faced with an up and a down escalator and one flight of stairs. So up we went.

At the top of the escalator I expected to see a station hall, but instead we saw gates right in front of us leading to only four platforms – quite the smallest train terminal I’d ever seen in London, every train heading through East London, and South Essex.



We headed back to Fenchurch Street and at the corner we came across a lovely old pub, the East India Arms. It’s been serving beer since 1829. The British East India Trading Company’s old premises are right next door. It traded until 1834 and in 1873 Lloyds took over the building.



Just beyond the pub was a gate and we could see a very modern building through it. The building had a look similar to the Lloyds so-called Inside Out building on Lime Street. Looking more closely, there was a good reason for that. It’s also designed by Richard Rogers. It was quite a lovely courtyard with a light-wrapped tree and some lovely benches where I could take a break.


Lloyds owned the land on which it had buildings and in the early 1990s, two unlisted ones were demolished to create a space to build something new. Work began in 1996 and was finished in 2000. Richard Rogers stamp is very clear.

On Fenchurch Street itself (71) is the original Lloyds Register building, called the Collcutt building. It is described as a classical stone palazzo in the 16th century Italian manner.




I hadn’t known a lot about Lloyds and its holdings and businesses before and I don’t know much know either. My wanderings are usually just that and I don’t do much research before I set out. I really can’t when I don’t have a specific target. When researching later, the details can feel overwhelming and make me want to go straight back to fill in the gaps. In this case I found out that the Richard Rogers Register building excavations uncovered Roman remains and reminders of other centuries. It’s a toss-up whether I’d like to reinvent myself as an archaeologist or a London guide!

Briefly, though, Lloyds Register was the world’s first marine classification society, created more than 260 years ago to improve the safety of ships. It began in 1760 in Edward Lloyd’s Coffee House in Lombard Street. While looking at the buildings and perhaps while you’ve been looking at them, there’s an assumption that this is part of Lloyds Bank. The fact that Richard Rogers designed both new buildings cements this assumption. In fact, Lloyd’s Register has no affiliation with Lloyd’s of London. And so I learned something new…again. And again, a half-promise to come back and see the Colcutt building and St Olave’s church gate some other time.

Talking of time, it was marching on and my knees told me to head home. We wanted to come home by Whitechapel and fix Krish’s samosa craving, so we continued along Fenchurch Street to find a bus. That’s when I discovered that Fenchurch Street becomes Aldgate and we were right at a familiar bus stop to take us the rest of the way. Before that though, and perhaps to compensate for missing Dickens’ ghastly gargoyle gate, I found the gate to St Botolph without Aldgate. I love a bit of gild. Of course, I’ve now discovered that the church has its own set of grisly and fascinating histories. Another time then… On the other hand, there are 48 churches in the square mile of the City of London and each one has a story. This is usually a multi-levelled story passing through centuries, often from Roman times, and it really would be a full-time job. For now, it’s samosas, kebabs, dhal with aubergine, naan, and Indian sweets to see us through more than a few post-Christmas meals.

Monument and stewed cheese

Monday, 2 August, 2021

I have yet to exhaust the area around Cornhill. It would be easy to feel exhausted, to be fair. It’s like burrowing down in the earth, only to feel that you’ll never reach centre. Except that this burrowing is exciting, finding sparkly minerals as I go and part of me hoping there actually is no centre. I don’t have a clue how many days or hours I’d need since an inch away there’d be another countless layers of earth to burrow…I’ll just wish instead for a hundred more lifetimes, if that’s enough. Perhaps 100,000. So buckle up, this will be another long one.

My plan today was to see Pudding Lane and the Monument and then meet Krish. I went from Liverpool Street Station to Fenchurch Street on a grey day when I knew the photographs might not be as sparkly. In fact, London when it’s grey is just London, so best to capture it in its relaxed state.

From Fenchurch Street, I set my destination but I can’t resist an alley and I saw one that was quite wide, only loosely an alley, and thought it might be an interesting shortcut when I saw what looked like a pub at the bottom and a promise of another exit, so not a dead end.

Towards The Ship
Off of the bus and down an alley, with a glimmer of a pub at the end

But I was headed to Pudding Lane.

Pudding Lane is a small street in London, widely known as the location of Thomas Farriner’s bakery, where the Great Fire of London started in 1666.

This is where it’s said the Great Fire of London started (on 2 September 1666) at Thomas Farriner’s bakery, the King’s baker. It was on the eastern side of Pudding Lane, one of the first one-way roads in the world in 1617. Pudding wasn’t a sweet thing. It’s what the butchers called the offal that they took down to the river to the waste barges.

This sounds ‘romantic,’ but Pudding Lane today isn’t quaint or anything of the kind. Instead it’s a rather barren narrow street with some boring office building on either side. I was so unimpressed that I didn’t see the plaque to the bakery and fire that Google assures me is there. That teaches me to look more closely or do a little bit of research before I leave home.


Opposite where the bakery stood, is the Monument (The Monument to the Great Fire of London.) It’s 202 feet (52M) high and it was built that high to mark the bakery site, 202 feet west. It was designed by Christopher Wren and Robert Hooke – a Doric column topped with a gilded urn of fire. (The Golden Boy of Pye Corner marks the spot where the fire was stopped, near Smithfield. See my blog that mentions it.) It’s closed now but inside there are 311 steps leading up to a viewing platform. At one time it would have had a great view of the river and The City.




Standing at the west side of the Monument at the wonderfully named Fish Hill, to the north is Monument Tube station and to the south is the river and St Magnus The Martyr church on Lower Thames Street. I haven’t been there for years but inside there’s a four metre model of the old London Bridge, and outside some masonry thought to be from the bridge.


I hadn’t been this close to the Monument for over a decade and I was amused by stone benches, which were engraved with the rhyme of ‘London’s burning.’ When I was a child, we would sing this in rounds, but I’m quite sure I had no idea at the time that it referred to the Great Fire. It was just fun to sing. As well as the benches there was a drinking fountain nearby with the rhyme engraved on a metal plaque.


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The Royal Exchange and a quick stroll through Leadenhall Market

Friday, 23rd July (with the 13th briefly), 2021

The distance from Hackney to the Royal Exchange
The distance from Hackney to the Royal Exchange and Cornhill
Area walked in The City
Area walked in The City

On my second visit to Cornhill, I decided that with only one goal (St Peters) I’d start off with a visit to the Royal Exchange. I’m pretty sure it was closed for a while since it’s a collection of high end shops and a Fortnum and Mason’s restaurant. The view of and from the main entrance has always been one of my favourites in The City.

Reflections at Wormwood Street
Even before I’d got off the bus, I was engaged with this view through the bus window, a very clear reflection of the Old City on a New City glass front

I took the bus from Liverpool Street Station intending to get off just after the intersection, but the stop was quite a distance west. I stopped right outside the Bloomberg Arcade and it would have been tempting to spend some time there too, but if I don’t focus these days, my main destination slips my grasp. Best to hurry on, eyes averted from all the photo opps, and head directly for – in this case – the Royal Exchange.

Mary Harris Smith was an accountant and entrepreneur. She became the first woman to complete the Institute of Chartered Accountants in England and Wales qualification but was denied membership because she was a woman. This plaque is on the City of London Magistrates’ Court
St Stephen Walbrook
St Stephen Walbrook, by Bloomberg Arcade

I almost did it but I chose to travel on the back streets – Bucklersbury, St Stephens Row and Mansion House Place – and got a tiny bit distracted along the way…

St Mary Woolnoth
Hawksmoor’s St Mary Woolnoth – a clumsy looking church with a very ornate gilded gate. The site has been used for worship for at least 2,000 years. Partially destroyed in the Great Fire, it was repaired by Wren and rebuilt by Hawksmoor after it was found to be unsafe. It reopened in 1727. It’s used by London’s German-speaking Swiss community, and is the official London church of British Columbia, Canada
Lombard Street
Lombard Street runs between King William Street and the Royal Exchange. It’s a lovely curved narrow street that I must look at more carefully soon
Cornhill from the Bank intersection
Cornhill from the Bank intersection

The Royal Exchange is a fantastic building. It looks so impressive and when I first stepped inside many years ago, I was surprised to see that it was really a shopping mall, but a high end one with Tiffany’s, Hermes, Aspinall, Jo Malone, and Fortnum & Mason occupying some of its space. This year it is celebrating its 450th anniversary.

There’s a lot of history in this building so here are some of the highlights.

The original Royal Exchange, a trading floor, was opened by Queen Elizabeth I in 1571. Thomas Gresham, an English merchant and financier, added two additional floors of shops to the original trading floor creating Britain’s first shopping mall in 1660. Only six years later the Great Fire destroyed the building and in 1669 a second site was opened this time with merchants and brokers. In 1838 it was again destroyed by a fire on Lombard Street. In 1844 Sir William Tite won an architectural competition to design the third (and current) Royal Exchange. He reverted to the original layout and included an imposing, eight-column entrance inspired by the Pantheon in Rome. The building was officially opened by Queen Victoria in 1844.

To more modern times – in the 1980s, The Royal Exchange briefly became a trading floor again, and the roof was replaced. In 2001 the Grade I-listed building was extensively remodelled by architects Aukett Fitzroy Robinson, and was transformed into a luxury shopping and dining destination. Though an entirely different building from his original design, the modern-day The Royal Exchange pays homage to its founder in its gilded copper grasshopper weathervane – a symbol taken from the Gresham family crest.

Grasshopper!
The weathervane with a grasshopper, to honour Thomas Gresham (taken by Krish, the tall one!)

Looking up to the iconic Royal Exchange
Looking up to the iconic Royal Exchange

The Royal Exchange entrance is very beautiful
The entrance is very beautiful

If you stand at the entrance, there’s a great view towards central London. Right now it isn’t as wonderful as it was. So much is lost by Fortnum and Mason’s bow to the pandemic outdoor terrace and its patio umbrellas.



If the exterior is impressive, the interior is just as eyecatching, if not more. The F&M colour scheme rules these days and some of the shops haven’t reopened since closing for the first lockdown, but the overall effect is beautiful.





Fortnum and Mason tea in one of its boutiques
Fortnum and Mason tea in one of its boutiques

Looks so Italian!
If Gresham was inspired by Belgium, the overall feeling to me is Italian. I think I could be in a grand galliera in Milan or Turin

Continue reading “The Royal Exchange and a quick stroll through Leadenhall Market”

A walk to Cornhill – 2: St Michaels and St Peters

13 and 23 July, 2021

Cornhill, first mentioned in the 12th century, is a ward and a street in The City. The street goes between Bank and Leadenhall Street. Cornhill is one of the three ancient hills of London, the other being Tower Hill and Ludgate Hill. This was the site of the Roman forum of Londinium, and later a corn market, which gave the area its name. Here also was the first underground public toilet, which cost 1d, creating the term ‘to spend a penny.’ Today, the street is associated with opticians and makers of things like microscopes and telescopes. To me, it’s just a beautiful street with some stunning architecture.




Finally we reached St Michael’s Cornhill, but before we went into the church, we wandered down St Michael’s Alley.  At the bottom is The Jamaica Wine House, known by locals as The Jampot. The red sandstone building dates from 1869 and was designed in art nouveau style. Many of the original features are still here,  On this site in 1652, London’s first ever coffee house opened. Samuel Pepys was one of its earliest patrons. There’s a lovely detail from the original coffee house, Pasqua Rosée. At the back there are medieval courtyards.




At the back, a glimpse of St Michael's Tower
At the back, a glimpse of St Michael’s Tower


With not much time before evensong begun, we went back to the church.


In front there is a beautiful war memorial.

The World War One monument
DURING THE / GREAT WAR / 1914–1919 / THE NAMES WERE / RECORDED ON THIS / SITE OF 2130 MEN / WHO FROM OFFICES / IN THE PARISHES OF / THIS UNITED BENEFICE / VOLUNTEERED TO / SERVE THEIR COUNTRY / IN THE NAVY AND / ARMY + OF THESE / IT IS KNOWN THAT / AT LEAST 170 GAVE / THEIR LIVES FOR THE / FREEDOM OF / THE WORLD.

St Benet le Fink and St Peter le Poer
The two parishes of Benet (short for Benedict) le Fink and Peter le Poer (thought to be a reference to the poverty of the medieval area) were united to St. Michael’s upon the demolition of the former church. But ‘le Fink’? Not sure about that

For those who love historical and architectural detail, St Michael Cornhill was built over the northern part of the great Roman Forum. It’s a medieval church with the original building lost in the Great Fire of London, leaving just the tower. It’s been in existence since 1055 and was under the patronage of The Drapers’ Company during the 15th century. The present Gothic Revival style church is attributed to architects Christopher Wren (there’s doubt about that), with Nicholas Hawksmoor between 1669 and 1672. The tower was designed by Wren and Hawksmoor in the ‘Gothick’ style between 1718 and 1722. It has twelve bells cast by the Phelps Foundry of Whitechapel.  Sir George Gilbert Scott, architect of the Midland Grand Hotel at St Pancras Station, remodelled the interior in the High Victorian manner between 1857 and 1860. It has Tuscan columns and still has pre-Victorian features, with panelling and sculptures dating from the 17th and 18th centuries. The Church escaped serious damage in the Second World War and the interior was restored in 1960, with the roofs and the nave of the tower being renewed in 1975.

There’s a very interesting organ in the church. It’s built so that two parts join at a 90 degree angle. The sound was very full, but the recording I made didn’t bring that out so I was disappointed. There have been some famous organists, some serving the church for many decades. The present organist has been there for over fifty years, a fact Krish and I found quite astounding. It must be humblng to sit at the organ and play on it knowing how many other hands have touched the keys and produced music. I’m a bit sad that my recording was so poor because it was an unusual piece being played. I did find this video online that may very well be the sort of music I heard – not your normal choral sound. It’s too bad that there is a focus on hands and feet and no pull back to see the organ itself.

In this photo you can see the right angles of the organ

Continue reading “A walk to Cornhill – 2: St Michaels and St Peters”