Posted on

Revisits – where do I go?

Monday, 7 February, 2022

I must confess to wanting to see somewhere different. Lately, I’ve been returning to old haunts, though. I have many trips in mind, but the pandemic hasn’t let go of us. I’m not sure where it will land us, but for now I’m just not keen to go too far. I have a birthday coming up in just a month and, while Krish talks about travelling a few hours to get a perfect Chinese meal, my sights are set closer to home. There must be something wrong with me! Or maybe not.

Before the pandemic we would go away at least a few times. That year, 2019, it was trips to see my aunts in Southend, an overnight to Leicester, six weeks in Toronto, a few days each in Glasgow and in Pembrokeshire. There may have been others. There must have been. Now Krish talks about revisiting Porto, Budapest, Torino, perhaps a new place – Istanbul,  Valencia, Copenhagen… we’ve bounced the idea of Warsaw, of Marrakesh, Sicily… With the pandemic on our minds, we thought about the UK and there are still places that are on my list but untried – Nottingham, Colchester, Norwich..

Both aunts have died now. It takes me a while to let that sink in. I dreaded those journeys each time and always knew they would inevitably end. Now they have. Our Two Together rail discount card lies idle. At least it really helped with our couple of trips to Southend earlier, and to Sheffield and Leicester. When the weather turns warmer, there will hopefully be more.

And close to home we’ve stayed for the most part. Krish’s hospital visits meant I could explore alone or with him in areas that I didn’t know very well. Now he’s not going very often so revisits to closer familiar places are the ticket They’re an opportunity to find something different and have one of those why-did-I-never-notice-that-before moments. Somehow there’s always at least one. It surprises every time.

It worries me, when I consider returning to Toronto, that I can’t have nearly as many of those moments in a city built on a grid system and where there’s a certain uniformity of architecture. My friend, Esmeralda, once described it (after returning from her travels) as homogenous.  I’d definitely have to adapt and be more willing to walk further and dig deeper.

So here’s a look at the familiar places I’ve visited in the last couple of weeks.

I took Krish to see Wood Street. It’s only a few stops away so an easy journey. I wanted to check out the Mexican Homies on Donkeys so we headed over to the Wood Street Market that had been closed when I was last there, before Christmas. The market is an indoor arcade filled with jumbled little kiosks and rooms. A notice at the entrance told us that this used to be The Crown Cinema, from 1912 to 1956 and is now a haven for antique and record collectors. I took photos of some of the colourful little shops inside.










The visit to Homies on Donkeys was to taste a taco or two and buy a bag of corn tortillas – so hard to find in London. I decided that I would taste the tacos first before investing in a bag of 40 tortillas. The choices weren’t ones I’d have ordinarily bought but I chose a milder chicken and a spicier pork one. Both tasted strongly of chipotle, and the extra guacamole I ordered was runny like a salad dressing. Not a bad taco but not a great one. I left without buying the tortillas.




Down the street we came across two Palestinian places. Only later did I think that maybe I could have taken some falafels home. We kept walking – I’d seen a sign that the William Morris House was close by so we aimed to walk there. It just wasn’t clear where or how far it was so we turned on our heels back to the station instead.






We had a run into Whitechapel. Krish wanted lentils, I wanted dumplings, and it was time for more samosas. I’d seen an ad for dumplings – three bags for 9.99 – at a store in Whitechapel that looked like it was new. As soon as we reached our stop, Krish decided he could do without the lentils – cross that off the list, then. Instead we went looking for the dumpling place. It’s called Tian Tian Market and it’s in the new complex near Aldgate East Station, where Guan (the supper club guy) lives. That store was so tidy! And spacious.

Whitechapel has a curious mix of architecture. Sometimes it’s very modern, sometimes it’s very old. Sometimes it’s a jumble of styles that make no sense.





It would be interesting to be able to see into the future and know what the area will look like, perhaps in fifty years from now. I have no doubt some of the old will remain, but I really think it will be unrecognisable. Continue reading “Revisits – where do I go?”

Posted on

Two faces of Hackney Wick

Monday, 17 January, 2022

This isn’t the first time I’ve blogged about Hackney Wick, and it’s likely not to be the last time. The thing about the area is that it’s changing – rapidly. In a nutshell, it’s gentrifying. When I first arrived in Hackney, I found out that I lived close to a community of artists – largest in Europe, it claimed – so I wandered over. What I found back in those early 2000s days was a largely derelict area, kind of like a rambling collection of industrial parks, and being me, I was fascinated with the whole thing. I took photos back in those days – of walls and buildings covered in art, some accomplished, some scribblings, and of letterboxes and doors. No official nameplates there – just painted and written flat numbers outside old factories with names listed one below the other. I had flashbacks of being in San Francisco and of communes, everyone in together.

There was a street festival every year, Hackney WickED, so I went back for it. People sat around on the ground, on fire escapes, at booths. There were others spray painting new art. There were cafes, often vegetarian or the not talked about so much in those days vegan. There was live music. I walked by the canal and saw people sitting on rickety chairs. Beatnik, hippy, arty, unconventional, rebellious, eco warrior…I could go on.

I remember going to the Hackney Pearl – everybody loved that place and I thought I must be missing out. One visit there cured me of that. There was a Banksy in those days by the canal. I remember that. The whole place was a mess but somehow glorious. The Olympics changed all that. Hackney Wick was somewhat exempt, being on the over side of the canal to all the action, but it was brushed and that’s all it took.

One by one the scrapyards and the factories tumbled – converted or demolished. The artist-heavy community rebelled. They were always good at that. As far as I can tell, they didn’t get too far, although there are holdouts. What you see in Hackney Wick today is the remnants of what used to be alongside the very smart, but sadly no-personality luxury loft conversions and luxury flats. They have names that are a nod to the past –  Bagel Factory, Shoe Factory, Ceramic Works. They don’t fix the past.

The protests continue…for some. Interestingly, in the local paper an interview with an older resident was glowing about all the changes. What works for some doesn’t for others.

Protest art on the side of the Hackney Pearl

The Lord Napier Pub has often been featured as an icon for Hackney Wick, since it’s been covered in graffiti for many years. It also happens to be Hackney Wick’s only pub something I find quite inconceivable for this city of pubs on every corner. On the other hand, Hackney Wick is perhaps just a corner. It’s posh inside now and the art continues (with new works by Tizer, Sweet Toof, Phelgm, Run, Mighty Mo, ThisOne, Oust, DKAE, Lucky, BuskOne, Will Barras, Greg Abbott, Teddy Baden & Cept.)  I’ve also heard they have good Northern Thai food, but I haven’t been able to try it yet.

Lord Napier pub before regeneration (not taken by me)
The Lord Napier today
The Lord Napier today



On these next photos, with the ominous Phlegm figure threatening with an overhead anvil on the left, you can see the very modern building that’s now close to it.




The map shows how compact the area is and also a rough guess at where we walked. I’m sure I must have left some off but I have a terrible sense of direction and get completely turned around in my memory and in real life. The photos show some interesting sights along the way.



















We had plans to eat while at Hackney Wick. I was quite keen to try the food at the pub, but Krish suggested we look for pizza and did some research to see where.  He chose Natura. At first it didn’t look like much. A pizza and pasta place at the end of a street where the housing estate is. Inside there were rough wooden block tables with bench seats. At lunch time many of the regular sized pizzas are served with a drink for 8.40, about a third less than at dinner. We ordered a pizza with ham and some spaghetti with meat sauce. They were really friendly in there and we were relaxed, the only people in there. The server told us that it was usually a busy place in the evening but lunch times were quiet – so cheaper pizza! The pasta was so so, the pizza was well done. Krish wants to go back for lunch again and get a different pizza.


The estate hasn’t changed at all. I wonder how the residents feel about their area and all the changes it’s gone through, and their new well-heeled neighbours. And come to think of it, the estate is the third face of Hackney Wick.

We noticed a lot of orange-based graphics as we walked,   along White Post Lane. It wasn’t until I got home and read the local Wick paper that I learned more. The artwork was an initiative called Paint the Town Orange by an enterprise called MEUS.  MEUS is a  tech company focused on the fitness and wellbeing of men. Ten top street artists created art to raise awareness for men’s mental health during men’s mental health month, November 2021.  Here are just some of the pieces we saw on our walk.








The heart of Hackney Wick is small enough to discover all in one go, but we tend to take things in smaller bites, especially when they are so close by. There’s a barbecue spot I’ve been wanting to try for quite some time so there’s a good reason to be back soon. We headed back towards the Lord Napier, to our bus stop, and home for tea!

Posted on

Moving – the new Whitechapel station and the Hackney Half marathon

Sunday, 26 September, 2021

Skipping over #blogsihaventgottoyet and onto the enjoyable events of a few days ago.

On Friday, I decided that I was finally going to Whitechapel Station – for some time it’s been under renovation in preparation for Crossrail, the Elizabeth Line. In 2016 they built a temporary entrance that was off the high street and over a narrow pedestrian bridge on Court Street. It made the station less attractive for me since this meant, as an overground rather than underground passenger, I had to walk quite a distance underground to find myself on the street or from the street back to my homeward train. The main entrance was blocked with hoarding and unavailable.

Crossrail construction itself has been going on since 2009. They hope to have the Elizabeth Line operating in the early months of 2022.

I heard only a couple of weeks ago that the station was almost complete and that you could now get in through the original entrance. I made a plan to check it out as soon as I could.

My route is an easy one. A short bus ride (for me as a non-walker, although it’s not very far away) to Dalston Junction overground station, then just four stops to Whitechapel – a journey of perhaps ten minutes. The train wasn’t crowded and I was entertained by a lady and her daughter, the latter who performed a great trick of hanging by her hands from two overhead straps for a while (I didn’t capture that one!). I felt a bit dreamy and at first got off at the wrong stop, confused by it looking familiar and not new at all. Back on the next train and on to Whitechapel.

Everything was shiny and new. It had the familiar overground vibe. Light, spacious, cathedral like but also like the turbine hall at the Tate (don’t know why I think so, but this just means it’s slightly cavernous for its purpose – but not overly so). I liked when I came up the stairs how there was a long semi-elliptical window at the top – on the left were some modern low rise flats and on the right the backs of the sooty old buildings that make up the storefronts of Whitechapel High Street. An interesting contrast, as usual.

There are a lot of entry/exit gates and a spacious ticket hall and then you’re out onto the high street. Happily, the original Victorian façade from 1876 has been cleaned and repaired rather than replaced. And for some reason I didn’t take  photo of that entrance so that will come later. I’ve also read that there’s a new exit on Durward Street, another thing to look for.

You exit to the bustling market which was called Whitechapel Waste when I was growing up. Out there, the vendors vended, the shoppers shopped, the walkers walked, as if nothing had changed – and it hasn’t really.  For now at least this part of Whitechapel is as it always was, changing only with the change of immigrants dominating the area. They bring in their own shops, clothing, food, and ambience. It’s busy but the Bangladeshi and Bengali people aren’t shouty like their Jewish and cockney predecessors.

Ambala for some samosas and one new sweet to try. I’ve forgotten its name. To Shalamar for three kebabs and one little lamb samosa for my lunch. To the Naanstop, ignoring the useless naan, for a masala chai and a salted caramel cheese in a little glass (expensive but I found that out only as he was ringing in the cost for me. Anyway, done. I walked over to the Royal London Hospital – the new complex of buildings – passing the old, boarded up buildings and the old churches and homes in the shadows of the tall new blocks. In front of one of the ophthalmology building is a statue which has been moved here from the older complex. There’s a seat built into its base on all four sides so I chose the empty one and sat down with my tea and two snacks. It was quiet back there away from the main road. It was also a sunny, pleasant day and I enjoyed the calmness of it all.

Inside Shalamar
Shalamar, where we buy our kebabs is very basic and is a great favourite with the Royal London Hospital workers, and with us – for their kebabs and unfussy service

Continue reading “Moving – the new Whitechapel station and the Hackney Half marathon”

Posted on

Clapton Terrace and Woodberry Downs

Friday, 20 August 2021

I won’t lie. I have very little interest in countryside. This usually flabbergasts people. How can I not love it? I get the same reaction as when I say I’m not interested in pets. I must surely be subhuman, a monster!

It’s not that I can’t enjoy being ‘in nature.’ I love looking at mountains and hills, I love the ocean (not lying on the beach, though)…but I’m most comfortable in cities. Not the super noisy commercial parts, but where I can see buildings and people and all things urban (and hopefully not sub). I don’t even like parks or public gardens. I’m fine in the countryside for short visits, but I tire easily and don’t feel like myself. So I’ll stop being defensive and say that’s just who I am.

However, Lisa and I were meeting for lunch and she suggested we go to the Woodberry Wetlands and find something there. Coincidentally one of my favourite local places had been advertising a second location – at Woodberry Down. Perfect.

I took the bus to Lisa’s place. I love the buildings she lives in. They are set back from the road opposite Clapton Common in a row called Clapton Terrace. It’s not known exactly when the terraced houses were built but the oldest ones show in  a map from 1774 and one house has a plaque dated 1760. They were probably lived in by wealthy family who would have had stables at the back. These are listed buildings and haven’t changed very much.

At the end of the terrace (at number 1) is St Thomas’ Church. The first church was built some time between 1773 and 1777 and was initially in a large fenced garden. It’s been extensively altered and  in 1873 the whole of the interior was remodelled. These days it’s a plain and solid looking Anglican church with a fairly active presence and congregation in the mostly Jewish neighbourhood.

I haven’t really become used to being driven in a car in London. It feels alien. There are differences other than the obvious oddities of being on the left. The cars are small and they seem to drive quickly. There are no stop signs and there are amber lights before green and red ones. Drivers seem more skilled, able to negotiate sharper turns, narrower roads, and dodging pedestrians who cross the road at random – not quite slowing down to do so but somehow managing it. And Lisa drives me confidently over to Woodberry Down.
I was really surprised to see the usual North London architecture give way to a very modern area. And our target, 215 Hackney, was along a modern street.

The original 215 Hackney is – not surprisingly – at 215 Stoke Newington Road in Hackney. This location is their second and this was my third visit, but only the first to this new location. It’s much larger than the original, but mostly the same middle Eastern influenced menu. I had the Jerusalem breakfast, which I chose for the variety of things on the plate.


Continue reading “Clapton Terrace and Woodberry Downs”

Posted on

The mostly new Museum of the Home

Friday, 25 June, 2021

The Geffrye museum has finally reopened (June 12), except now it’s called Museum of the Home and, as with any museum at the moment, you have to book ‘a slot’ to go in. Luckily for me, it’s close to home and also very close to my physiotherapist.

People have questioned me, Museum of the Home, what does that mean? Built in an area that once boasted many furniture makers, in almshouses from 1714, it originally showed ‘the middle class’ interiors through time. As well, there were always modern exhibits of how people lived in their own spaces. When the museum closed to renovate, there was an opportunity to put a bigger focus on the latter. The larger space can now house events and classrooms.

I have gone to the museum over many years and I’ve done the almshouse tour. But my favourite has always been Christmas time. And before Christmas I’ve gone to the wreath workshops, then afterwards to the Twelfth Night celebrations. I went soon after they closed for a hardhat tour and was really looking forward to seeing the finished renovation. The links are all to past blogs mentioning these visits.

On its very first day of reopening, the museum encountered opposition.

There has been a lot of controversy about the statue of Robert Geffrye which stands outside. Geffrye had connections with the forced labour and trading of enslaved Africans and it was money from his estate that allowed the building of the almshouses that now house the museum.  There has been a demand for the statue to be taken down, indeed all statues and memorials to those involved with slave ownership. Despite the protests, the museum’s Board of Trustees decided in July 2020 to leave the statue where it is  and contextualise it. The day of the reopening, there were protests by Hackney’s Stand Up To Racism group.

I wasn’t sure if our visit might be disrupted by the protests when we went the next day, but it was quiet.

There’s a new entrance now, at the back of the almshouses, by the Hoxton Overground station. We arrived by bus at the front of the almshouses so had to walk around the block to get in. I believe that there would normally be an entrance from that direction, but like many places the museum is operating a one-way system – so in at the back, out at the front.

HRNX art from Cremer Street
HRNX art seen from Cremer Street
Molly's Café
Molly’s Café, on the corner of Cremer and Geffrye Street, is now the museum’s café. It’s in a once-derelict Victorian pub, The Marquis. It’s named after Molly Harrison, a museum curator and educator in the 40s and 50s
Back of Molly's Cafe
As Victorian as Molly’s Café is at the front, the back is 21st century (notice the clear ghost sign beyond it)
Ghost sign on Cremer Street
Gordon Fabrics ghost sign on Cremer Street
Hoxton Station and the museum entrance
On the right is Hoxton Overground Station, in the left foreground is Molly’s Café, and further along – opposite the station – the new museum entrance
Entrance to Museum of the Home
The entrance to the museum is the lovely atrium where the café used to be. We were greeted by a young woman who checked us in and sent us on our way

We started on the lower floor, on the one-way system. This lower floor is what was made during the renovations. It features how people live and what home means to them, in terms of culture, religion, and comfort. During the hardhat tour I couldn’t imagine what would go in there but many old spaces had been uncovered and I really like this ‘new’ area. The chance to see how everyone creates their own space is really welcome.

Ethelburga Tower
Ethelburga Tower is an exhibit I had seen years ago at the museum. There’s a nod to it here. The exhibit showed how identical council flats in a tower block (apartment building) were used and furnished differently by each tenant. I find it fascinating
A collection of floor/vacuum cleaners throughout time
A collection of floor/vacuum cleaners throughout time

One of the most fascinating things in the museum is the John Evelyn Cabinet, purchased by its owner in 1644. Sounds like it was in the V&A before.  I wouldn’t want it in my house but it’s an elaborate work of art, which would make any cabinetmaker cry with envy. Its description is as elaborate as the woodwork, but in brief it’s an ebony veneered oak cabinet made up of many drawers, fourteen of which were secret. It was probably bought in Florence during a European ‘grand tour.’ John Evelyn was an English writer, gardener and diarist. I’ll let you read more about the cabinet yourself. If you’re a cabinetmaker, you can read about the construction in detail here.  For me, even without its astounding appearance and construction, it is of significant importance. In 1813 diaries were discovered in one of the secret drawers. They were published in 1817. Although Samuel Pepys’s diaries are more celebrated,  Evelyn’s diaries came first and probably prompted the attention given to Pepys’s. I’ve read neither so there’s a challenge!

John Evelyn’s Cabinet. My photo won’t do it justice so check it out from this page.
In this room you could play classic videogames on an old TV set
In this room you could play classic videogames on an old TV set
Doll at the Museum of the Home
Me being me, this is my favourite thing downstairs, a doll from the almshouse time. Maybe not an artifact but a new one, but I love it

Continue reading “The mostly new Museum of the Home”