Two faces of Hackney Wick

Monday, 17 January, 2022

This isn’t the first time I’ve blogged about Hackney Wick, and it’s likely not to be the last time. The thing about the area is that it’s changing – rapidly. In a nutshell, it’s gentrifying. When I first arrived in Hackney, I found out that I lived close to a community of artists – largest in Europe, it claimed – so I wandered over. What I found back in those early 2000s days was a largely derelict area, kind of like a rambling collection of industrial parks, and being me, I was fascinated with the whole thing. I took photos back in those days – of walls and buildings covered in art, some accomplished, some scribblings, and of letterboxes and doors. No official nameplates there – just painted and written flat numbers outside old factories with names listed one below the other. I had flashbacks of being in San Francisco and of communes, everyone in together.

There was a street festival every year, Hackney WickED, so I went back for it. People sat around on the ground, on fire escapes, at booths. There were others spray painting new art. There were cafes, often vegetarian or the not talked about so much in those days vegan. There was live music. I walked by the canal and saw people sitting on rickety chairs. Beatnik, hippy, arty, unconventional, rebellious, eco warrior…I could go on.

I remember going to the Hackney Pearl – everybody loved that place and I thought I must be missing out. One visit there cured me of that. There was a Banksy in those days by the canal. I remember that. The whole place was a mess but somehow glorious. The Olympics changed all that. Hackney Wick was somewhat exempt, being on the over side of the canal to all the action, but it was brushed and that’s all it took.

One by one the scrapyards and the factories tumbled – converted or demolished. The artist-heavy community rebelled. They were always good at that. As far as I can tell, they didn’t get too far, although there are holdouts. What you see in Hackney Wick today is the remnants of what used to be alongside the very smart, but sadly no-personality luxury loft conversions and luxury flats. They have names that are a nod to the past –  Bagel Factory, Shoe Factory, Ceramic Works. They don’t fix the past.

The protests continue…for some. Interestingly, in the local paper an interview with an older resident was glowing about all the changes. What works for some doesn’t for others.

Protest art on the side of the Hackney Pearl

The Lord Napier Pub has often been featured as an icon for Hackney Wick, since it’s been covered in graffiti for many years. It also happens to be Hackney Wick’s only pub something I find quite inconceivable for this city of pubs on every corner. On the other hand, Hackney Wick is perhaps just a corner. It’s posh inside now and the art continues (with new works by Tizer, Sweet Toof, Phelgm, Run, Mighty Mo, ThisOne, Oust, DKAE, Lucky, BuskOne, Will Barras, Greg Abbott, Teddy Baden & Cept.)  I’ve also heard they have good Northern Thai food, but I haven’t been able to try it yet.

Lord Napier pub before regeneration (not taken by me)
The Lord Napier today
The Lord Napier today



On these next photos, with the ominous Phlegm figure threatening with an overhead anvil on the left, you can see the very modern building that’s now close to it.




The map shows how compact the area is and also a rough guess at where we walked. I’m sure I must have left some off but I have a terrible sense of direction and get completely turned around in my memory and in real life. The photos show some interesting sights along the way.



















We had plans to eat while at Hackney Wick. I was quite keen to try the food at the pub, but Krish suggested we look for pizza and did some research to see where.  He chose Natura. At first it didn’t look like much. A pizza and pasta place at the end of a street where the housing estate is. Inside there were rough wooden block tables with bench seats. At lunch time many of the regular sized pizzas are served with a drink for 8.40, about a third less than at dinner. We ordered a pizza with ham and some spaghetti with meat sauce. They were really friendly in there and we were relaxed, the only people in there. The server told us that it was usually a busy place in the evening but lunch times were quiet – so cheaper pizza! The pasta was so so, the pizza was well done. Krish wants to go back for lunch again and get a different pizza.


The estate hasn’t changed at all. I wonder how the residents feel about their area and all the changes it’s gone through, and their new well-heeled neighbours. And come to think of it, the estate is the third face of Hackney Wick.

We noticed a lot of orange-based graphics as we walked,   along White Post Lane. It wasn’t until I got home and read the local Wick paper that I learned more. The artwork was an initiative called Paint the Town Orange by an enterprise called MEUS.  MEUS is a  tech company focused on the fitness and wellbeing of men. Ten top street artists created art to raise awareness for men’s mental health during men’s mental health month, November 2021.  Here are just some of the pieces we saw on our walk.








The heart of Hackney Wick is small enough to discover all in one go, but we tend to take things in smaller bites, especially when they are so close by. There’s a barbecue spot I’ve been wanting to try for quite some time so there’s a good reason to be back soon. We headed back towards the Lord Napier, to our bus stop, and home for tea!

Time Warps in London – A Singularity

Sunday, 16 January, 2022

I suppose this happens in lots of urban areas, but walking in London can feel like you have a portable time machine or a holodeck. The mass of new and even futuristic, or otherworldly, buildings have replaced old London, but only in patches. Peeking out here and there and taking over in other patches buildings from older times stubbornly remain. I recently saw a photo called Layers of London and I understood that concept. I’ve also become aware of the layers that are underneath the layers we now live in, so while buildings are now reaching towards the sky, I also think of how below me it must reach.  It all seems to live in harmony. On this Sunday I was very conscious of the harmonious contrast, then on the following day it came home to me once more. But I won’t jump ahead yet.

Krish had seen a structure from the bus that seemed worth a visit. At first we thought it was permanent, but then discovered it wouldn’t be staying so we set out to take a closer look. What he’d seen was an orb which cycles through an LED coloured sequence, called Singularity by Squidsoup – the name alone was intriguing enough. It sits in the front courtyard of a new complex called Principal Place in between Shoreditch High Street Station and Liverpool Street Station.

Map of Worship Street walk
We started at the bottom of the map – and worked our way up to the top, small turns with big results

It was a clear, cold evening and the night before the wolf moon – the full moon of January. It already looked quite full and very bright. Here in London’s financial district, a wolf moon seemed appropriate.

Principal Tower is tall for London, at 50 storeys. It’s residential, not commercial, and was completed in 2019. Principal Place office block is lower, with only 15 storeys.  Both buildings were designed by the architects Foster and Partners. We’ve been hearing a lot about Richard Rogers lately so Foster’s name is top of mind. So there’s more Star Trek going on here – Singularity. ‘8m geodesic sphere with volumetric real time LED lighting’ – so there you go. My camera didn’t do it justice, so there’s a website here where you can see what it looks like. The video there shows the depth and detail of the lovely piece. It’s hard to capture a 3D object in a 2D format. and my own photos and videos are shallow by comparison so do take a look.

We wanted to drag a chair over but the security guard said no, so we sat in one of the large wooden chairs they’re kind enough to have over to the side of the building.  The sphere, the almost-wolf moon, the clarity everywhere, and the fact we were mostly alone there made everything feel calm and reassuring. Cities have their own beauty.


The photo that didn’t work (I’m sure I took it but #fail) is the one that showed the moon framed within Singularity – that one would have been lovely, so you’ll have to imagine the contrast and harmony of that one.

In the same courtyard is another art installation of a person – like a sketch or outline for a drawing. James Burke did this giant blue steel work, which weighs 1.2 tonnes. It’s called In Anticipation since the character is stepping forward from its plinth (all difficult to see in that dark night so worth a daytime look – ‘the waiting figure appears to have descended from its plinth and is perched against it. Leaning forward expectantly with its head looking back towards the high street.


This wouldn’t be the end of the art, unsurprisingly in London and this area in particular, but there were hidden gems ahead. Once more we stepped away from the familiar and found ourselves in new territory with that mixed feeling that is surprise and ‘well, of course’ that comes with discovering streets we’ve somehow never walked down. The density is overwhelming. So I looked up the meaning of Singularity. It’s bandied about often on Star Trek but I’ve not thought much about what it meant – ‘a point at which a function takes an infinite value, especially in space–time when matter is infinitely dense, such as at the centre of a black hole.’

We thought at first we’d walk down just one street to see what was there and I was distracted by the thought that I’d never actually gone into the courtyard of Broadgate Tower. It was right in front of me now so up the stairs we went to look a bit more closely. I’ve always loved the geometric structure. It has very tall (functional) steel girders that reach diagonally – a very interesting design which was created to ‘reflect shadows and produce light that would change throughout the day.’) At night it’s dramatic.



And the old refrain of I must come back when it’s daytime. Both buildings have green credentials and I hear there’s an area for bees, birds, insects and butterflies on one tower roof, and a peregrine falcon bird box on the other. I wonder if they are open to the public.

We thought we would walk down the street towards Moorgate. We were on Worship Street. In the 1700s this was all fields apparently and was called Hog Lane. Today it’s a commercial area with warehouses, clubs and offices but also a very cool strip of listed Victorian workshops, artisan these days. Having just come from two monumentally modern and stylish steel and glass blocks, it was definitely a time warp. There was a film crew about so the buildings were obscured.  Are you tired yet of me saying I must come back? We passed lots of clubs on the ground floor of converted warehouses and there was enough of a trickle of people heading towards them to keep them open.



We were still heading towards Moorgate, but to our right we saw a forked road and suddenly the thought of seeing something we hadn’t seen before was more appealing. We decided to take the left one, Clifton Street, with more warehouses.

A fork in the road
A fork in the road – which way to go?
Shine Your Light mural
‘Shine Your Light’ mural outside Zetland House by Luke Smile. Aptly named. His artwork always gives positive messages
Zetland House was once a printing house for the Bank of England. The wall is painted by David Shillinglaw

As we passed the wall mural we thought we’d hit a dead end, but straight ahead of us was a gate. It felt a little dangerous to go through but we’d done well so far and went ahead. It wasn’t so scary once we were in there. In fact, there was a bit of a garden beside us, with another wall mural by Noir. What did seem a bit spooky was a large, gothic-looking church in a yard right ahead of us. We were both a bit surprised by it – a church that we’d never known was there before.



We walked beside Mark Street Gardens, apparently one of the youngest parks in London, created in the early 1980s. And once through, we found ourselves on Leonard Street. So many restaurants here and there, mostly closed, with an occasional pair of partyers wandering by. This was an area that we should know better but actually don’t.



When we hit Great Eastern Street, I thought about going down New Inn Yard again to get the bus home on Shoreditch High Street but instead we chose a small road ahead of us. I was totally surprised to find myself beside Blacklock on Rivington Street, which is really close to Old Street. This was accidentally a better choice and a good reminder that the density of London means my mind can place something much further away than it actually is. It was just one bus home from Old Street, a perfect accidental discovery.






And homeward it was!

Regaining my feet in 2022 – Rooftops and Lloyds on Fenchurch Street

Thursday, 6 January, 2022 – Twelfth Night

Writing things down is happening in my head again on an intangible surface, rarely making it into anyone else’s head. Sometimes there’s a narrative of what I’m seeing and how I feel about it, but it stays in there. It’s not that that isn’t valuable and even contributes to my sense of self and, therefore, my outward self. But inside it stays for the time being. If I post photos, most of those thoughts and feelings are just for the time I’m sharing them and just with myself. In December, two people close to me died. I suppose that such words come to me more often at times like this, when I ponder the fragility of life and all the questions that are unasked and unanswered.

So it was a bittersweet Christmas time and a bit hard to pull myself out of that heavy mood and get out there. By twelfth night I’d put away almost every Christmas item – a bit ahead of my usual schedule. The Museum of the Home had closed over Christmas for longer than expected and there would be no twelfth night burning of the holly and ivy, something I’d loved in the past. This year many public buildings and restaurants opted for a long break while Omicron kept people at home and staff numbers dwindled due to illness. It was a cold and grey day but it wasn’t raining and we decided to go out.

We took a bus to Fenchurch Street. The original plan was to go to Bow Lane and I confess to being motivated by an advertised cake at Konditor. From there we could walk over to 120 Fenchurch Street where they have a rooftop viewing garden. It didn’t go according to plan but it went well, anyway.

We got off the bus and decided that, since it was still light, we’d go to 120 first. I’d been there before without Krish but he’d never been so we wandered along the strangely quiet street. There was quite a queue to get into Skygarden, though, and I was glad that wasn’t our choice for the day.

The Garden at 120 isn’t very far from Skygarden. It’s also not as high, at 15 floors, but I’d liked it when I went. It’s the City of London’s largest roof top public space, is fully open air, quiet and the view is more intimate when you’re closer to everything. We were the only people heading for it. Even going through Security was quiet and fun. The person scanning our bags had a good chat with Krish comparing beard experiences. It felt friendly and personal.


I’ve not been in the warmer months but I’ve read it has  wisteria trees, fruit trees and a 200ft-long water feature. None were apparent on this cold January day.


You can walk around the perimeter – the full 360 degrees of view. There are many seats to relax on and just enjoy the air and the surrounding buildings. There’s no space to stick a camera through for clear photos so all of them are taken through the thick safety glass. I’ve decided not to caption them. There are some iconic landmarks, but I’m not sure it matters. You can ask me in the comments if you need to know more. You may notice, however — St Paul’s, Hays Galleria, the Tower of London, and the Shard.










And up here you’re close to the cranes and construction. It fills the entire South side.



While we were there, two other people came up – only two. Note to ourselves to come back when it’s warm, to see the flowers and plants in bloom and the water feature flowing. I have a feeling it might still be quiet and peaceful.

We left the building and started to walk westward, through Star Alley, when we found this church – St Olave’s, which I’d heard of.


St Olave Hart Street is one of the few mediaeval churches to survive the Great Fire of London. Samuel Pepys and his wife are buried there.
Charles Dickens who lived close by, called St Olave’s ‘St Ghastly Grim’, referring to the gargoyles on the churchyard gate – if they’re still there, I didn’t notice them. St Olave’s has been a place of Christian worship and sanctuary for almost 1000 years, the first church dating from 1050, a simple timber structure. It was rebuilt in stone in the 13th century, and rebuilt again in 1450. The crypt dates from this period.
357 victims of the 1665 Plague were buried in the churchyard. Their names were marked with a ‘p’ in the church register. The church was heavily damaged during the Blitz of 1941, leaving just the arches and the tower and was restored in 1954. After looking around outside this surprisingly small building, we realised there was a lot to see if we stayed right where we were.

Along London Street we found Fenchurch Street Station, which had looked very small and interesting through the modern building maze below. I wanted to go inside as I’d never been. Immediately inside the station you’re faced with an up and a down escalator and one flight of stairs. So up we went.

At the top of the escalator I expected to see a station hall, but instead we saw gates right in front of us leading to only four platforms – quite the smallest train terminal I’d ever seen in London, every train heading through East London, and South Essex.



We headed back to Fenchurch Street and at the corner we came across a lovely old pub, the East India Arms. It’s been serving beer since 1829. The British East India Trading Company’s old premises are right next door. It traded until 1834 and in 1873 Lloyds took over the building.



Just beyond the pub was a gate and we could see a very modern building through it. The building had a look similar to the Lloyds so-called Inside Out building on Lime Street. Looking more closely, there was a good reason for that. It’s also designed by Richard Rogers. It was quite a lovely courtyard with a light-wrapped tree and some lovely benches where I could take a break.


Lloyds owned the land on which it had buildings and in the early 1990s, two unlisted ones were demolished to create a space to build something new. Work began in 1996 and was finished in 2000. Richard Rogers stamp is very clear.

On Fenchurch Street itself (71) is the original Lloyds Register building, called the Collcutt building. It is described as a classical stone palazzo in the 16th century Italian manner.




I hadn’t known a lot about Lloyds and its holdings and businesses before and I don’t know much know either. My wanderings are usually just that and I don’t do much research before I set out. I really can’t when I don’t have a specific target. When researching later, the details can feel overwhelming and make me want to go straight back to fill in the gaps. In this case I found out that the Richard Rogers Register building excavations uncovered Roman remains and reminders of other centuries. It’s a toss-up whether I’d like to reinvent myself as an archaeologist or a London guide!

Briefly, though, Lloyds Register was the world’s first marine classification society, created more than 260 years ago to improve the safety of ships. It began in 1760 in Edward Lloyd’s Coffee House in Lombard Street. While looking at the buildings and perhaps while you’ve been looking at them, there’s an assumption that this is part of Lloyds Bank. The fact that Richard Rogers designed both new buildings cements this assumption. In fact, Lloyd’s Register has no affiliation with Lloyd’s of London. And so I learned something new…again. And again, a half-promise to come back and see the Colcutt building and St Olave’s church gate some other time.

Talking of time, it was marching on and my knees told me to head home. We wanted to come home by Whitechapel and fix Krish’s samosa craving, so we continued along Fenchurch Street to find a bus. That’s when I discovered that Fenchurch Street becomes Aldgate and we were right at a familiar bus stop to take us the rest of the way. Before that though, and perhaps to compensate for missing Dickens’ ghastly gargoyle gate, I found the gate to St Botolph without Aldgate. I love a bit of gild. Of course, I’ve now discovered that the church has its own set of grisly and fascinating histories. Another time then… On the other hand, there are 48 churches in the square mile of the City of London and each one has a story. This is usually a multi-levelled story passing through centuries, often from Roman times, and it really would be a full-time job. For now, it’s samosas, kebabs, dhal with aubergine, naan, and Indian sweets to see us through more than a few post-Christmas meals.